Project Statement


train: wheels traveling on parallel tracks enabled by intersecting linear elements

Create 10 drawings exhibiting a unified voice by exploring the Golden Ratio as found within a locomotive drivetrain. The graphite on paper works will be executed in the coming months based on photographs of a decapod steam engine taken by the artist in 2009 at the North Carolina Transportation Museum in Salisbury.

The compositions will use rotation within the confines of strict frontal views, and employ only shadow and detailed material rendering to develop a sense of depth. The conversation between subject and composition will draw on the “idea” of train and the inverse notion of what might be seen if the train moved around the wheel.

All 10 pieces will be the same size, each containing some part of a wheel in order to ground the viewer within the abstraction, much the same as the role the wheels play as they ride the rails.

Progress Bar

Progress Bar
Progress Bar: Five drawings completed

Sunday, April 1, 2012

Drawing 2: Back at the Board

After a long visit with my friends Paint Brush and Paint Roller, I happily returned to the drawing board this afternoon and reacquainted myself with my pencils. I always have a moment of trepidation after a longish time away from drawing - there's a sense of wondering if it'll work out like it did last time. It didn't seem to take long to get past that though, and I made a good start on the second drawing in the series.

I've altered the composition to remove the grease fitting on the top most connection point. It was too directional and gave me a sense that the drawing was upside down, which it is, but I don't want that to be the impression of the viewer. The rendering here at the start involves a set of layers that will build up the flat area across the top. It's a challenge to make a basically smooth flat surface interesting, yet if one looks closely there's plenty of texture on the surface to work with; it's just subtle.

Here's the first snapshot of the work in progress. I'm laying down the second layer of detail using a 2H pencil. The first layer was laid down with a 5H - the hardest pencil I work with these days. The harder the pencil the lighter the mark it makes.



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