Project Statement


train: wheels traveling on parallel tracks enabled by intersecting linear elements

Create 10 drawings exhibiting a unified voice by exploring the Golden Ratio as found within a locomotive drivetrain. The graphite on paper works will be executed in the coming months based on photographs of a decapod steam engine taken by the artist in 2009 at the North Carolina Transportation Museum in Salisbury.

The compositions will use rotation within the confines of strict frontal views, and employ only shadow and detailed material rendering to develop a sense of depth. The conversation between subject and composition will draw on the “idea” of train and the inverse notion of what might be seen if the train moved around the wheel.

All 10 pieces will be the same size, each containing some part of a wheel in order to ground the viewer within the abstraction, much the same as the role the wheels play as they ride the rails.

Progress Bar

Progress Bar
Progress Bar: Five drawings completed

Saturday, August 11, 2012

Drawing 3: Layout

Today I completed the draft layout for the third drawing in the series. This will be a more dramatic composition with large deep areas of shadow and a strong juxtaposition of circular elements in the background with linear elements in the foreground. The rotation in this composition places wheels at opposing corners, which lends a sense of tension and movement to the piece.

I've given some thought to why I choose a particular composition to draw at any given time. These are pretty abstract works and the idea that they somehow reflect anything about me, the artist, can seem a stretch, but there are strong connections. Drawing 2 was rotated upside down. I've just finished a set of life changes that have in fact flipped my world on its head. I can't say I willfully set out to reflect that in the artwork; but it found its way there nevertheless. Seems there's a healthy dose of my subconscious at work in these drawings.

This composition reflects my state as well. The wheels feel like they are rotating, yin/yang like, perhaps toward a place of stability or an alignment that could be considered normal. The linear elements provide a strong feeling of connectedness between the wheels; holding the whole show together as it spins around. That's a good summation of where I'm at just now, settling out after a big change. Again, I didn't pick the drawing with that in mind - it's as though it came to me as the right one to draw now.

Here's the photo composition and the rough layout. The next step is to setup the drawing on water colour paper and then begin the rendering. I'm looking forward to it!


No comments:

Post a Comment